[…]ible thing that I would sometimes I can remember, towards the end of my time there I was the principal camera on a fairly major industrial shoot, the director was going to cut it himself. But then found he was urgently required to to shoot or maybe cut something else. So with some reluctance, he all[…]
[…]ible thing that I would sometimes I can remember, towards the end of my time there I was the principal camera on a fairly major industrial shoot, the director was going to cut it himself. But then found he was urgently required to to shoot or maybe cut something else. So with some reluctance, he all[…]
[…]ly have a small towel across there [Indicates body private parts] And he was discussing details of Caesar... with L.P. Williams who was Art Director, Brian Desmond Hurst who was Co-Director, Marjorie Deans who was Co-Scriptwriter. And he more or less didn’t stop but he included a […]
[…]. Jonathan Balcon 37:57 And he had of course, we must go back a bit now let's go back to "39 Steps" at Gaumont. One of the assistant directors at "39 Steps", on "39 Steps" was Pen Tennyson, now Pen I suppose was the nearest thing I had to a brother in as much as my father, in the he[…]
Copyright is vested in the BECTU History ProjectFREDDIE FRANCIS, lighting cameraman, feature film director, interviewer Alan Lawson, recorded on 24 November 1993SIDE 1, TAPE 1Alan Lawson: When and where were you born?Freddie Francis: I was born in the wilds of North London, Barnesbury, north London […]
[…]ree and it was hammer. We all to Robert hammer enormously. He was our line director an excellent director. He died unfortunately because yes because Eric moreover wo[…]
Cyril Pennington-Richards (cameraman and director) 17/12/1911 - 2/1/2005by admin — last modified Aug 12, 2008 12:43 PMBECTU History Project - Interview No. 122[Copyright BECTU] Transcription Date: 2003-08-13Interview Date: 1990-01-09Interviewer: Alan Lawson and Colin Moffat Inter[…]
[…]ospital. And it was I think, just about the time that they moved into that that I joined them, I persuaded them to give me a job as a as an assistant director. Because I I'm, I don't think I've worked for them at all before that. It was when they started at Cleveland street that I went to work for t[…]
[…] should add he wasn't getting on very well with the director. At the rehearsal stage I think things had not […]
[…]pictures.E.M. Smedley-Aston: No, no, that's quite true. Well I...the first studio I ever went into was Beaconsfield where there was a female Art Director, I think her name was Mary Brabham or something like that. Anyhow, she was a friend of the family and she said...well I think the studio ther[…]
