[…]and so long as it was good and in tune… it had to be in tune, mind you… I couldn’t stand anything out of tune but… I found working with Musical Directors like Arthur Greenslade and when we had session men in Saturday Club, and programmes like that… I… there was a mutual respect where I never t[…]
[…] he said, ‘just the very person’. So I became Head of Factual Programmes, News and Current Affairs and Documentaries at Channel 4 and then later Director of Programmes.Tell us a bit about the starting up and the...Liz Forgan Page 2Of Channel 4? Well, I think that in the whole history of hu[…]
[…] shows. And the man who was largely responsible for getting Nesbitt interested was Stanley Earnshaw, who was the son of Arthur Earnshaw. The managing director and Stanley owned Joe was was very short, and once seemed you couldn't mistake him and he had a way of getting on with people. I've never bee[…]
[…]y well that if I stayed with him, I would not get a chance to become one of these mysterious things was a production assistant, which was then led me director if I stayed with him, because he would not be allowed that kind of establishment. Can I just say something a little bit earlier, I had put in[…]
[…] as I say, a cooperative unit. The chief producer was Donald Alexander, and other producers were Jack Chambers, Jack Holmes. Budge Cooper was a director. Francis Gysin was a director, later head of the Coal Board Film Unit. I can't remember any other names offhand. INTERVIEWER: Well, that[…]
[…]ed.The copyright of this recording is vested in the ACTT history project. Sara de Normanville, professionally known as Sara Erulkar, documentary film director. Interviewer John Taylor. Recorded on the twenty-eighth of February 1991, with interjections by her husband, Peter (PdN). Side one.[00:34]Who[…]
[…]bsp;a conceited note, it took wg a mere 35 years to become managing director so with that in mine there's hope for everybody in our industry. RF: The one film we must pray […]
[…]as actually directing it or producing it? TD: The principal Producer was man called Richard Broad, who was one of the very great ITV documentary directors of the time, [who] now lives in the West of Ireland; if you want to interview him you have to travel over to Ireland because he never comes […]
[…]slightly. He was married to the wardrobe mistress of the Royal Academy and he was responsible for building the sets but he was given to me as a director for the … you know, you play a turn and you do it in front of an audience (Time 09:01) and he said to me he said “I saw you in your pub[…]
