[…]le class lady to...?Joan Kemp-Welch: Yes I think there was, I think there was. There was certainly a stigma and there was no such thing as women directors or anything like that.Roy Fowler: Right.Joan Kemp-Welch: Not at that age. Although, later, in the period where I'm saying I worked[…]
[…] details of Caesar … with L.P. Williams who was Art Director, Brian Desmond Hurst who was Co -Director, Marjorie Deans […]
[…]ly have a small towel across there [Indicates body private parts] And he was discussing details of Caesar... with L.P. Williams who was Art Director, Brian Desmond Hurst who was Co-Director, Marjorie Deans who was Co-Scriptwriter. And he more or less didn’t stop but he included a […]
[…]hat the use of the Val Guest tapes is restricted and the copyright remains with Val Guest and his estate. Interview with Val Guest, writer, producer, director, at his house…on 17th August 1988.[NB This transcript, whilst ‘complete’ includes some paraphrasing and omits some repetition. DS 2021]Val Gu[…]
Dallas Bower Side 1Alan Lawson 00:02Dallas Bower: producer, television director, television producer, sound recordist, film editor, drama producer. Dallas, when and where were you born?Dallas Bower 00:19Kensington Hall Gardens, London 1907.Alan Lawson 00:2[…]
[…] His name was William K. Howard and he was the director of the film. Alan Lawson: Oh yes. David Robson: […]
[…]orning and it was there that I met my first American, and I've loved working with Americans ever since. His name was William K. Howard and he was the director of the film.Alan Lawson: Oh yes.David Robson: And they're marvellous people, easy to get on with, they're positive, you know exactly where yo[…]
[…]ible thing that I would sometimes I can remember, towards the end of my time there I was the principal camera on a fairly major industrial shoot, the director was going to cut it himself. But then found he was urgently required to to shoot or maybe cut something else. So with some reluctance, he all[…]
[…]ible thing that I would sometimes I can remember, towards the end of my time there I was the principal camera on a fairly major industrial shoot, the director was going to cut it himself. But then found he was urgently required to to shoot or maybe cut something else. So with some reluctance, he all[…]
[…]rnet.com.Dave Robson 0:08 The copyright of this recording is vested in the BECTU history project. The subject is Michael Clark, producer, director and editor of documentary films interviewed by john legard. The date is 22, October 1993. This is side one. And the file number is 299.[…]
