[…]ss, Stoll Studios, Cricklewood". So I got on the tram with my portfolio under my arm, went to Stoll Studios, where I met Clifford Pember, who was art director to Herbert Wilcox. He was a well-known stage designer - he'd designed a number of stage productions in New York and a number in London as wel[…]
[…]rley , Max Adrian , The sister of David Nivens called Grizel Niven , who gave it up shortly; became an eminent sculptress. But we got this job with a director, I mean an impresario you could say, who sent out first tours, who was notorious for two things; paying the lowest salary and going after the[…]
[…]p; 2: Yes, Ronnie Curtis and his wife, Elsie. He was casting director. &nb[…]
[…] [0:13:45] Er, yeah, yeah, they paid my expenses and I just signed on and that was a really good experience. And from that an American film director came in one day, erm ... called 7 Victor Schonfeld, and he said that he’d come over from New York he was making a film about animal[…]
[…]y well that if I stayed with him, I would not get a chance to become one of these mysterious things was a production assistant, which was then led me director if I stayed with him, because he would not be allowed that kind of establishment. Can I just say something a little bit earlier, I had put in[…]
[…]at was when the AKS Film Production Unit started, in 1942 and Freddie Young was there as the senior cameraman of course and Carol Reed was there as a director, and lots of other people, I can't remember their names at the moment but it'll come. And Freddie was there as the chief cameraman and I went[…]
[…] was incredible because it was being directed by a young director called um - who directed the Bond films, um...? […]
[…]urt hamster. Was making the rival world at that time. My greatest disappointment that I wasn't the assistant because at Shell of course the assistant director. Did virtually everything I mean you were assistant editor you looked after books and you really were. More than just an assistant director a[…]
