Derek Malcolm

[…]compared to anything else. And gradually I became well known because I've been to so many festivals, and everybody knew me, you know, and most of the directors working today, probably I wrote a review of their very first film, like Scorsese or somebody like. So, you know, I have so many contexts now[…]

Peter Graham Scott

[…]sed what I really wanted to do. I appeared in Richard III, with Emily Williams, which was directed by Tyrone Guthrie, who I think is one of the great directors of British theatre. He was tall and very beaky nose, and he er…used to rise up in the stalls and suddenly there’d be this giant telling me ([…]

Sheila Whitaker

[…]illett, Tom Milne, Leslie. All those are the people are those... I’m just trying tothink of all those people around at that time.SF: Who was then the Director of the BFI?That was Stanley Reed.Sheila Whitaker Page 16SF: Stanley Reed, yeah.And that was the time when the BFI was getting larger and[…]

Barrie Merritt

[…], Bachelor and possibly Larkins before she came to permanently in studios. And so I worked with her at the studios at the time, and I went there. The directors were George Marino, and Fred Thompson. But this was just after a bust up without Digby Turpin and some of his animation people hang around w[…]

Taylor Downing

[…]as actually directing it or producing it? TD: The principal Producer was man called Richard Broad, who was one of the very great ITV documentary directors of the time, [who] now lives in the West of Ireland; if you want to interview him you have to travel over to Ireland because he never comes […]
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