[…] chemicals, how to do chemical analysis, all this kind of stuff is what I was involved in. Then in ‘74 my boss Paul Read left Kodak to become the lab director at Kays, Kays laboratories in Highbury, and six months later he said “I’d like you to come and join me as a technical manager. I need that so[…]
Alan Masson (AM) Former Kodak Director of Engineering, Hollywood Interviews: Carolyn Rickards (CR) and Paul Frith (PF)Date: 27/10/2017Length: 01:36:00 Transcript edited […]
[…]ce behind the manufacture of any film emulsion was immense, and this is something I again carried through to when I was working with the DoPs and the directors, because you’d understand the science of layering emulsion upon emulsion on a continuous running operation, was precise, absolutely precise,[…]
[…]ree and it was hammer. We all to Robert hammer enormously. He was our line director an excellent director. He died unfortunately because yes because Eric moreover wo[…]
[…]The copyright of this recording is vested in the actt history project.Charlotte Jennings, artist, daughter of Humphrey Jennings, the documentary film director, poet, and artist,recorded on the 17th of December 1990. side one interview, Alan Lawson Well was was not, you know, when, when and where wer[…]
[…]; The copyright of this recording is vested in the BECTU History Project. Our subject today is John Ammonds - A M M O N D S. Television producer director, ex-BBC TV, Thames TV, London Weekend Television, now retired. The interviewer record this is John P Hamilton, member of the BECTU History Pr[…]
[…] interview is with James Gilbert interviewed by John Taylor with possible interruptions by Stephen Peet. James Gilbert has mainly been a producer and director for television and the date is 5 March 1990, File No 130.SIDE 1, TAPE 1John Taylor: Just start at the beginning. When were you born and where[…]
[…]for quite a few years and then I gradually graduated back into into picture editing. Went to Merton park, to get a break, really, and I worked with a director called Phil Ressler on a series called chemistry for six forms. Work with the orals. Remember Professor Pryor, who told me that, that he had […]
[…] was an American. And he ran it right the way through to pretty well to at the end of the war, I guess. But everybody else involved and all the other directors at that time and all the managers were all British. And they run it very much as as a separateRoy Fowler 12:36 unit. Obviously, […]
