[…] and then operator. And then eventually you would become a director of photography, lighting cameraman, after many, many years of studio experience, […]
[…]e 1970s..? I can't remember now. Something like that. But I was there and I think it was Peter Mullins, somebody called Peter Mullins, who was an art director or assistant art director and he looked at my work and said again "ooh yes, you're a nice little artist", you know, and we looked at the boar[…]
[…]ost of the artists arrived at Shepperton by train brings to mind the following rhyme which was going around at that time, it was called the assistant director's lament: What shall I do, What shall I do, An Actor has missed the train, The Crowd's got lost, In Love I'm crossed and we're working late a[…]
[…] was a good experience, w ith Ted Sca ife as Director of Photography, James Hill directing. I didn’t mention on The Millionairess […]
[…]mpany was called London District cinemas limited, and they were owned by a proprietor, chap called Wainwright. Mr. Wainwright, I can't name the other directors, and their head office was based at the capital cinema in Epsom Surrey, that's since been gone quite a number of years. And as I say, I work[…]
[…]aughs]. But anyway, and then I worked at Realist for quite some time.Stephen Peet: Now one of the things that you're credited with is being Assistant Director with John Taylor on The Londoners.Philip Leacock: Oh it was a very exciting project.Stephen Peet: What film was that?Philip Leacock: It was m[…]
[…] fairly well known in Poland. He was a poet, film director and a writer and he organised and opened the […]
[…] going around at that time, it was called the assistant director's lament: What shall I do, What shall I do, […]
[…]n TranscriptBritish Entertainment History Project – Interview No. 721 Thursday 5th April 2018INTERVIEWEE – NORMAN J. WARREN, DIRECTOR INTERVIEWER – MARTIN SHEFFIELDTranscriber – Linda Hall-ShawMARTIN SHEFFIELD: Over to you Norman. I’ll ask you a few […]