[…]ying. But it went down all right, and that was fine Rodney Giesler 24:57Tell me how you actually went around. This is your first film as a director. How did you go about making it? I mean, did Ram Gopal put on a performance for you? And then you worked out in film terms, how you were goin[…]
[…]ably worth about fifty thousand.Teddy Darvas: The interesting thing about Dorothy Holloway was, of course, that she became London Film's Casting Director and she was Casting Director till about the year after Alex died and she basically she did the crowd casting and she was the sweetest woman -[…]
[…] wanted anything changed, it would go through perhaps the Art Director or the Cameraman. He didn’t actually criticise you there […]
[…] And it really is marvellous in the film now. No director in the world except Houston would have taken that […]
[…]rings and so, I did all that, back to the Presenter again, a couple more captions. Now, the twenty-five, twenty-six minutes went in like that and the Director at the time had only just come out of training himself and he wasn't told that I was doing this camera, he just thought that Jimmy was operat[…]
[…]a lot of how to do things, and also a lot of things, how not to do. I mean, it was a funny mixture. But he was a brilliant producer, and an Associate Director radio. But a translator was the first one I made every transplants case, which was wells appeared in the omad, which was quite an experience.[…]
[…]rn?Yes I was, I was born in 1912 in New York and I came over to England in... Well, Iwas eleven months old actually. My father was the first American director to be sent to England and he came over to work in the old Walton on Thames studios.Oh. What was his name?Larry Trimble.Larry Trimble?And he, […]
JOHN SCHLESINGER Feature film director Interviewer Norman Swallow, recorded on 30 March 1994 Copyright of the recording is vested in BECTU History Project SIDE 1, TAPE 1 Norman Swallow: Let's go back to day one, when where you born and where. John Schlesinger: I was bor[…]
[…] as I say, a cooperative unit. The chief producer was Donald Alexander, and other producers were Jack Chambers, Jack Holmes. Budge Cooper was a director. Francis Gysin was a director, later head of the Coal Board Film Unit. I can't remember any other names offhand. INTERVIEWER: Well, that[…]
