[…]lled into focus accordingly.[01:07:04:750] And, as I said earlier, I was very fortunate to have a very loyal cameraman and I suppose a director as well that put up with me because as I say the first half of the picture was out of focus. The second half I seemed to get the idea of how […]
Copyright is vested in the BECTU History ProjectFREDDIE FRANCIS, lighting cameraman, feature film director, interviewer Alan Lawson, recorded on 24 November 1993SIDE 1, TAPE 1Alan Lawson: When and where were you born?Freddie Francis: I was born in the wilds of North London, Barnesbury, north London […]
[…] should add he wasn't getting on very well with the director. At the rehearsal stage I think things had not […]
[…] details of Caesar … with L.P. Williams who was Art Director, Brian Desmond Hurst who was Co -Director, Marjorie Deans […]
[…]ly have a small towel across there [Indicates body private parts] And he was discussing details of Caesar... with L.P. Williams who was Art Director, Brian Desmond Hurst who was Co-Director, Marjorie Deans who was Co-Scriptwriter. And he more or less didn’t stop but he included a […]
[…]rnet.com.Dave Robson 0:08 The copyright of this recording is vested in the BECTU history project. The subject is Michael Clark, producer, director and editor of documentary films interviewed by john legard. The date is 22, October 1993. This is side one. And the file number is 299.[…]
[…] film ever to have any colour in it.LW: Richard Tauber. Yes, it's got a sequence in colour at the end and at the beginningWT: Do you remember you the director was.LW: I can't remember [Karl Grune] 4 WT: It was somebody like Ludwig Berger, not that there are many somebody's like that, but you kn[…]
[…] was his assistant. And so he was the producer, the director, the writer, the cameraman, the editor, and I was […]
