Search Results for: Director of Photography

[…] who afterwards became an agent and Alex Bryce, a Scotch director. I was still in my digs but we used […]

[…]ean, my exact contemporaries. In my promotion, there was Claude Miller, who's who's done reasonably well. Not many others seem to have become feature directors though, of that particular motion. But as long as  like, Oh, no, was the one after me and he he's done well,Rodney Giesler  5:30 &[…]

[…][NB: Identities not clear] Duration: 02:24:07The copyright of this recording is vested in the ACTT History Project. Nancy Thomas, television producer/director. Interviewer Norman Swallow. Recorded on the twenty-fifth of January 1991.Well, if you don’t mind, you know, when and where were you born?I w[…]

[…] was he often got people who as they say today, took him to the cleaners. And maybe he had a manager who er was doing that. I do know that one of the directors of the company, because I saw a book about what they called the ‘pirate buses’ of the late twenties and my father used to run a bus service […]

[…] vested in the ACTT History Project. Nancy Thomas, television producer/ director. Interviewer Norman Swallow. Recorded on the twenty-fifth of January […]

[…]at was, that was the start of Terry's move away from that cutout animation thing. Darrol Blake  14:58  But was he created as director? Was it Terry Jones?  Kent Houston  15:01  No, Ican't remember. Generally, it's Terry Jones, Darrol Blake&[…]

[…] was an American. And he ran it right the way through to pretty well to at the end of the war, I guess. But everybody else involved and all the other directors at that time and all the managers were all British. And they run it very much as as a separateRoy Fowler  12:36  unit. Obviously, […]

[…]use they were building we went to Stoll's Studio at Cricklewood and we made a film there. Again I can't remember the title, but Sinclair Hill was the director and he also made one at Shepherd's Bush later on with a girl named Sari Maritza which was called Greek Street.John Taylor: What about the oth[…]

[…]and projected the rushes at the end of the day; FY started working for Gaumont in 1917 and left ten years later, by which time he earned £5 a week; a director invited FY to shoot his next film; FY gave his notice to Colonel Bromhead the head of the studio at Gaumont.00:10:00 – 00:17:05 His first fil[…]