[…]lots and action sequences! My temporary appointment with Films of Scotland may also have come about due to the good relationship I developed with its director H Forsyth Hardy during the Film Festival selection committee viewings and by willingly helping him out on a “stunt” he came up with for the P[…]
[…]s too low to be a good actor, but I was over Tony Garnett and Tom Courtenay, when I was at University College London, but I was quite a good producer-director. And I wanted to take that path, and in fact spent my first post-graduate job was with a touring theatre in Norway. A state touring theatre i[…]
[…] College London, but = was quite a good producer - director. And = wanted to take that path, and in […]
[…]arts. You see, you didn't have a sort of rough, ready boys. You know, one has especially from America. I hate to say this in comparison the Hollywood directors I've worked in my lifetime, very few had what I call a cultural background. Forgive me mention about culture I admire and respect this very […]
[…]you know, I had begun to, to formulate more what I wanted to do, and editing seemed to be the most interesting job. And at that time I wanted to be a director, and I reckoned that I, you know, I was going to be God’s gift to directors, that, you know how you are when you’re young. But I was very con[…]
[…]sque 16 new burlesque age 16 and we set off and we made with friends we made a little film in which I actually although I was so I wasn't really t he director of this film I was the actor. I was seen as an escaped Borstal Boy running across the fence being chased by a lot of policemen on my way towa[…]
[…]atSide 1Colin Moffat: The copyright of this recording is vested in the ACTT History Project. Philip Donnellan: television documentary producer, director. Recording starting on the 28 June1991.Colin Moffat: Right, Philip your name is quite clearly Irish but I suspect in fact if I didn't a[…]
[…]oton directed by a chap named Jerry vice. Yeah. Who. Strange enough. These has come full circle. Was the man at the Czech film school who trained the director I'm working with a moment of impasse. It's a small world anyway. I naturally was very intrigued by all this and redoubled my efforts to get i[…]
[…] sound? You werenÔÇÖt at this time thinking of being a director? RW B: Not till I saw what was happening. […]
[…]rnet.com.Dave Robson 0:08 The copyright of this recording is vested in the BECTU history project. The subject is Michael Clark, producer, director and editor of documentary films interviewed by john legard. The date is 22, October 1993. This is side one. And the file number is 299.[…]
