[…]ces. AL For instance? JG Well I mean I think I could have been more say, a more financially successful … AL Well, yes. JG … director. I mean I could have been possibly more commercial, which I’m not. AL In what way do you mean that? JG Well I could have gone … I …[…]
[…]: which I suppose he did with his tongue in his cheek like Henry.CC: I don’t think that was tongue in cheek. I think Alex really should have stayed a director.SC: Tell me about Elephant Boy. I remember you telling stories about Zolly trying to get as many pieces of elephants, in the cutting round sc[…]
1 Julie Cave https://historyp"roject.org.uk/content/0380 Interview Number: 380 Interviewee: Julie Cave Interviewers: Norman Swallow, Alan Lawson Transcriber: Alexis Poole Norman Swallow: […]
[…]the rest of the cast - that was it. “I’ve got it right - that’s it can we move on?” - you know - but Stanley great director - marvellous director. Well what I was going to say is I then got Burgess - Anthony Burgess sent me his first novel ‘Enderby’ - ‘Inside Mr. Enderby’ and we got Ric[…]
[…][NB: Identities not clear] Duration: 02:24:07The copyright of this recording is vested in the ACTT History Project. Nancy Thomas, television producer/director. Interviewer Norman Swallow. Recorded on the twenty-fifth of January 1991.Well, if you don’t mind, you know, when and where were you born?I w[…]
[…]the Glorious films and directed a few other things. How did you regard yourself as a director First of all, let me ask you what made you want to be a director.Gordon Hales 4:10 I suppose being a star eyed cinemagoer as a boy. I was a compulsive cinemagoer and to an extent it […]
[…]he Orient Express with Sidney Lumet for whom I have enormous respect, a wonderfully technical director and very good with actors as well, the perfect director. One of the perfect types of directors. We had in the early weeks of that picture The Murder on the Orient Express we had a lot of criticism […]
[…]ally know what it was about, I think he just didn't like Leslie Arliss. Roy Fowler: Was Leslie Arliss dislikeable? Andy Worker: Who was the director... No, no, I found him quite nice. Roy Fowler: Yes he'd been one of the Gainsborough writers hadn't he, along with Val Guest? Andy […]
[…]ht, What's he going to say? So he said, he said, You're a very good camera man. He said, That's photographically Very good. He said, But you're a bad director.Unknown Speaker 31:51 So I said, Director, you know, they're all little wooden figures. So he said, wooden or whatever they are, […]
