Search Results for: Director.

[…] film, you very rarely checked your costume with the art director. When you were doing colour, that was a very different […]

[…] is the real epitome of a ball of fire but director. I first met Sidney when we did a film called […]

! For: BEHP Management Meeting 14th June 2017 Company Articles of Association This matter was prompted by Alison & Ian’s […]

[…]ink they hit I think the head was actually sitting straight on my shoulders now. And particularly Vampire Lovers with Roy Ward Baker who was stunning director.  Mike Dick  1:03:18  We'll come on to that.. hold your horses.. Madeline Smith  1:03:21 &n[…]

[…]nk really, it's a tragedy that his I don't know why, but his kind of off screen personality damaged his reputation in terms of what he delivered as a director. He was a great director. Yeah, yeah. He had a great vision in his Ernest Marsh  39:00  movies. Look at any of his f[…]

[…] set first thing in the morning. And he would be there, right the way through to the end. knew his lines. Absolutely fantastic. Basil Dearden was the director. And we were shooting most of it in a village called Men's Gooner, I think it was called here was terrible. I mean, that was that place was b[…]

Robert Love [Start of Recording] [00:00] I: So we're interviewing Robert Love. I'm the interviewer, Tim Amyes. Robert was here from '76 to '93? R: Till 2001, I think! I: 2001! 1976 till 2001. And today is the 28th [May, 2017]. So there we go. We've identified the tape. So wh[…]

[…]have any notions…?NEVILLE WORTMAN:  I always had one very big ambition and that was to join the BBC.  That was the big thing.  To be a director.  That’s what I really wanted to do.  And by any means just to try to get on the BBC Course as it was which was a very difficult th[…]

[…] and be involved in the casting and the crewing and and it wasn't to be like that. The whole point is you can only have one creative producer and one director. So quite early on, I went back to gerado and said, Look, this isn't working. Marta keeps wanting to make decisions, and we can't do it that […]

[…]s too low to be a good actor, but I was over Tony Garnett and Tom Courtenay, when I was at University College London, but I was quite a good producer-director. And I wanted to take that path, and in fact spent my first post-graduate job was with a touring theatre in Norway. A state touring theatre i[…]