BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]
[…] so that was good and you taught yourself really. You learned from talented people, people like Alan MacMillan who was a brilliant Editor and a great Director. Ross Wilson, another really really good Director. From people like yourselves who had skills in particular areas and so on. You know, the So[…]
Russell Galbraith [Start of Recording] [00:00]I: ...interviewing Russell Galbraith and we are in STV for the Scottish History Project. First of all we talk a bit about the background. So, where were you born and then how you became interested in media and where you came from there? If I ca[…]
[…] Word – part of Elstree complex.17 32:20...could hear [Inaudible] going backwards...19 36:00‘Unbong Chappie’? Spelling/Doubtful Word – Film director.22 40:12‘Bullham’s’? Yard Spelling/Doubtful Word – part of Elstree complex.Tape 1 Side B 27 04:30Sue ‘Arandale‘? Spelling/Doubtful […]
[…]dvisor so he knew all about it. But, I remember David Kingsley was the...That's right.Managing...Y es.No, yes, Managing Director, he was the Managing Director. And they were already there so I couldn't really say who, who brought them in, but I think Sidney covered that quite clearly and he did a gr[…]
[…]ho else, and I got the job. And I got the job on the basis that – that was, I joined in the May, and sothey’d taken on Derek Malcolm as the director...SF: Of the Festival....Festival for one year, sensibly. And in a sense I don’t want to raise old issues, but what... he really wanted to go[…]
[…]meraman on thatMonty Berman: Chris Challis. I'm trying to think who the director was, it wasn't Mickey,Mickey was here. I can't think the name of the director. Then when we moved intoPinewood to do the studio side, that was that. When did I get another job. I don't know,maybe I met Bob Baker. I knew[…]
[…]ry and we turned ourselves in vacation into a mobile cinema, this was mine from another college, Alan Cooke who also went on to become a professional director. Norman Swallow: Was this 35mm now John Schlesinger: No 16. Then we became more ambitious and we made a film which was a sound film[…]
[…]see. Which is, I suppose, really what a great conductor is in an orchestra, you know... people play for a great conductor and people relax for a good director. And, er... I don't think anybody had it in the GPO Film Unit to that extent, because they were - charming, sweet people, don't get me wrong,[…]
