[…]e directors too had ideas on the subject...I mean, [some of the] more creative directors?Peggy Gick: Oh yes! Well you wanted to have a chat with your director...trouble is with some of them to get them to communicate.John Legard: And did you have your favourite lighting cameraman to do your work jus[…]
[…]production manager was also a woman called Deborah Cheshire. And john didn't get on all that well with with the idea, I think, basically ever a woman director. And nevertheless, he, he did his job pretty well, of course, and we functioned very well. We went to all over Switzerland, we went over the […]
[…]y actually, you know, I would like to, you know, I like to doing it because I know I can do it better. And, you know, one, obviously, one helps every director. Ones with, to a certain extent. When one has a, you know, one's obviously bubbling over the idea. Someone tells an idea. So if one, you know[…]
[…]atSide 1Colin Moffat: The copyright of this recording is vested in the ACTT History Project. Philip Donnellan: television documentary producer, director. Recording starting on the 28 June1991.Colin Moffat: Right, Philip your name is quite clearly Irish but I suspect in fact if I didn't a[…]
[…]you weren't working on something would you hang out at the studio.VG: No, you'd meet some of the people from the studio. Weston Drury was the casting director. And I remember exactly what I got for my parts in both Innocents of Chicago and Maid of the Mountains, I got £3/15 [£3-75p] a day.RF: Unlimi[…]
[…]n’t have the knowledge to argue, I mean I could argue about left and right but no way could I sort of say well that was a terrible performance to the director. Also directors actually in those days were really, they were far better trained technically than they are today, I mean they didn’t come on […]
[…] on, The Citadel ? Tell us about King Vidor as director. Joan Kemp-Welch: Oh marvellous! Roy Fowler: Yes? Joan Kemp-Welch: He […]
[…]really dirty phrase. I like the weather, the air eterna himself or herself is is doing it, or whether it's a collaboration between the editor and the director. This is real filmmaking when I mean, I have a kind of love hate relationship with the, the rest of the process of filmmaking, I like to be a[…]
[…]really dirty phrase. I like the weather, the air eterna himself or herself is is doing it, or whether it's a collaboration between the editor and the director. This is real filmmaking when I mean, I have a kind of love hate relationship with the, the rest of the process of filmmaking, I like to be a[…]
[…]now, in, bilingually, of course. And the director, the French director was Claude Heymann, I think. The English, well, I don't know anything, English director. I was only involved with the French.Well how did you, fit into this? You say he was French...But the two sons, the two sons of Renoir, they […]
