[…] the years when Hitchcock was more or less a journeyman director... E.M. Smedley-Aston: Well Hitch left about the first or second […]
[…] should add he wasn't getting on very well with the director. At the rehearsal stage I think things had not gone […]
[…] I think. The English, well, I don't know anything, English director. I was only involved with the French. Well how did […]
[…]process has become so complex? [20.00 mins]WR: I don't think the complexity makes much difference, it might, but it so much depends on the director. LH: One of the things I think somehow escapes, and it might even be an improvement, now that you have to have, particularly on big film[…]
[…] of his name properly in a minute. Top, top, top director. [Karel Reisz] DARROL BLAKE: And you first met Joe … […]
[…].04)I didn’t do them all. I did them all for years. And a wonderful director, Oh, God.I’ll think of his name properly in a minute. Top, top, top director. [Karel Reisz]DARROL BLAKE: And you first met Joe ...RENÉE GLYNNE: Ah, so yeah, I met Joe McGrath on a particular company called Augusta Film[…]
[…]oan Kemp-Welch: And the other film that I did, round about...Roy Fowler: Well, before we move on, The Citadel ? Tell us about King Vidor as director.Joan Kemp-Welch: Oh marvellous!Roy Fowler: Yes?Joan Kemp-Welch: He knew exactly what he wanted. He knew exactly what he wanted[…]
[…]e a he wasn't a technician at all I mean, he just was learning in so far as sound I mean we all were to a certain extent but he had been an assistant director. And when he went to France he was still in the sound department but he very soon got out of it and attached himself to Korda. And[…]
[…]und the studio.Roy Fowler: Well yes, the feel and also some of the characters. These were the years when Hitchcock was more or less a journeyman director...E.M. Smedley-Aston: Well Hitch left about the first or second year to go to Gaumont. And he did - he took with him a very extrovert ch[…]