[…] in those days in fact was somebody who helped the director. There was a, a production assistant that it’s called now, […]
[…] Oliver. Of course he is now a famed producer and director. I watched the shooting of Oliver Twist until about 3 […]
[…] actor. Tilly Day: ...actor, yes. It was the New Zealand director... Sidney Cole: New Zealand director, was he? Tilly Day: Yes. […]
[…]t and talk about what your, what PA meant in those days and your association with Jim? Well, PA in, in those days in fact was somebody who helped the director. There was a, a production assistant that it’s called now, who in fact who typed the camera script and did all the sort of paperwork attached[…]
[…] but it was quite hazy. and it wasn't made particularly attractive for theatre audiences.John Taylor: What was Casson's job.Jimmy Gilbert: He was the director. He was totally untrained really. And after a couple of years Peter Potter took over and it became very much better as a, a better run theatr[…]
[…]er: It's Rachael Low's volume of 'The British Film History in the Thirties' and indeed I see, 1930, The Woman from China, Edward G Whiting, producer, director...Eddie Dryhurst: Yeah Whiting was his name, yes.Roy Fowler: Yes. Another one in the thirties, Three Men in a Cart, you made at Isleworth. Di[…]
[…] no experience of anything but he became a quota film director. They were really entrepreneurs. Roy Fowler: Hmm. It's difficult for […]
[…] it came to what the scene was, you asked the director. The soundman would say, "Well if he goes in that […]
[…] Lawson: Did you work with him when he became a director. Sid Cole: No. He didn't make anything very distinguished - […]
[…]at it is famous. Everyone hates me. I'm very famous your famous comedian who is a deregulator today. They've got an award named after him now a drama director. Oh Desmond Davis. No no he's one I know. I wonder. I'm trying to. A younger one who I think he died quite young. Anyway he was format I had […]