[…]Kay ManderTape 1, Side 1 Sidney Cole: The copyright of this recording is vested in the ACTT History Project. Kay Mander, continuity, documentary director. Interviewer Sid Cole, recorded on the 29th of September 1988, Side one.Sidney Cole: Tell me about when you were born, and your childhoodKay […]
[…]the rest of the cast - that was it. “I’ve got it right - that’s it can we move on?” - you know - but Stanley great director - marvellous director. Well what I was going to say is I then got Burgess - Anthony Burgess sent me his first novel ‘Enderby’ - ‘Inside Mr. Enderby’ and we got Ric[…]
[…] of sound and colour (particularly Technicolor) presented to the art director. Williams recalls his involvement with David Rawnsley and the Independent […]
[…] Fowler: Was Leslie Arliss dislikeable? Andy Worker: Who was the director... No, no, I found him quite nice. Roy Fowler: Yes […]
[…] a while, did a lot of children's films, working with people like Jimmy Hill, the late James Hill and um - Don Chaffey who was an art director turned director. The cameraman was Jack Parker I remember, and Frank North - I was very sad to meet Frank many years later when I went into an ironmongers in[…]
[…]ally know what it was about, I think he just didn't like Leslie Arliss. Roy Fowler: Was Leslie Arliss dislikeable? Andy Worker: Who was the director... No, no, I found him quite nice. Roy Fowler: Yes he'd been one of the Gainsborough writers hadn't he, along with Val Guest? Andy […]
[…]d with Bert was with erm, Run a Crooked Mile for Universal Columbia Pictures or Universal Pictures. I should be on there, and the executive producer from America wrote an article for one of the trade magazines saying the British technicians had no verve, and all he wanted to do was br[…]
[…]oan Kemp-Welch: And the other film that I did, round about...Roy Fowler: Well, before we move on, The Citadel ? Tell us about King Vidor as director.Joan Kemp-Welch: Oh marvellous!Roy Fowler: Yes?Joan Kemp-Welch: He knew exactly what he wanted. He knew exactly what he wanted[…]
[…]es you then worked on A Midsummer Night’s Dream with Peter Hall, which I believe was one of his early films… obviously being a theatre director. As a theatre director, how did Peter, sort of, approach that film? And were there any special instructions …PS: Yes, it was a tri[…]
[…] interesting way to be trained by the BBC”. Told to watch a live transmission one week, and do it the next. I was a Trainee as Director – credited as Director. 26.49 - &[…]
