Search Results for: Director. Producer

[…] actor. Tilly Day: ...actor, yes. It was the New Zealand director... Sidney Cole: New Zealand director, was he? Tilly Day: Yes. […]

[…] with a film called Fortune's Fool, Norman Walker was the director. Th en I. started on my second film lighting but […]

[…]ecting.DB: The Kordas were obviously very strong, ‘cos Alex owned the place or at least owned the company. Tell me a bit about Vincent Korda, the Art Director.PM: Well there was Alex, there was Vincent, there was Zoltan… DB: You didn’t see much of Zoltan?PM: No, no. Wasn’t aware too much of Ale[…]

[…]s quite an accomplished , so I'm told,  classical pianist and a friend of our family, a man called Harry S. Pepper, who at that time, was a producer at the BBC, and he was the producer of the minstrel show, The Black and White Minstrel Show. And he decided to take this show out on tour. An[…]

[…]bsp;girl.Hitch got into disfavour. He brought one of the Armours back,Wilfred as Art Director. Wilfred claimed me andHitch was strong and he got me. and then he got&[…]

[…]ick. Many I think basically you learn anything by doing it. But more importantly he taught me how to handle myself in the classroom how to handle the director. when to say yes when to say no? The whole psychology I don't know how people who go to film school learn that. You can only learn it by watc[…]

[…] were - some were actors and some were just - nothing, but became directors. George King, he had no experience of anything but he became a quota film director. They were really entrepreneurs.Roy Fowler: Hmm. It's difficult for us to imagine now how the transition to sound happened. I mean, was […]

[…] he’s been back in Canada for years, constantly cropping up on the Canadian films and having been in the classical theatre over there. Don Sharp, the director. I’ve worked with him a lot since and we’ve had quite a few giggles about those things. And the second woman, who played The Brat’s wife, Ann[…]

[…] been in the classical theatre over there. Don Sharp, the director. I’ve worked with him a lot since and we’ve had […]

[…] others were good fun, but you know, you didn’t have to be Beerbohm Tree to play them. This was serious; with Cavalcanti directing – he was a serious director.McG: Tell me about Cavalcanti as a director.HF: Lovely man. I used to have to – on Champagne Charlie he didn’t like Tommy Trinder.[Laughter] […]