Donald Wilson

[…]se I've only really boring and I wasn't gonna doubt but there was all kinds of things happened. But anyway, I was asked to start as a as an assistant director. And which I did. And I was put on a on a film with a very old hand called Frank Mills, who was a splendid old fellow, but too old for the jo[…]

Jack Hildyard

[…]er?Speaker 2  34:23  Or did you ever get that close? I think must have a card, really.Unknown Speaker  34:30  He was producer and director.Unknown Speaker  34:31  Was he? Yes, he's a very nice man, and he always thought about the crew a lot. For instance, when we went o[…]

billywilliamsbectu-tape2

[…] how you light a set, what's your relationship with a director. Questions that don't get asked on the set because everybody […]

Transcript – Jean Anderson

[…] Pat Jackson (1916 -2011) was an English film and television director. His films included Encore (1951) and What a Carve Up! […]

peter-tanner-history-project

[…] who afterwards became an agent and Alex Bryce, a Scotch director. I was still in my digs but we used to […]

David Robson

[…] way round, they're different names - a producer is the director. So the producer, when he was told by the company […]

Harry Coventry

[…]idea of being actually operating things, rather than than being servicing equipment. Nick Gilbey  40:23  Of course, a lot of producers and people on the production side had, had been in the RAF during the war and Harry Coventry  40:31  things. Yes, I[…]

Howard Lanning

[…]d he had four sons. I was one of them. And we were all involved in in the film industry. He the eldest one was Jerry. He was a film editor, director, producer. With good credits like Out of Africa, Gorillas in the Mist, you know, films that we know about. I came next. Also a film and found editing a[…]

David Robson

[…]he problem was, the Americans insisted on directing it. A producer is a director, or the other way round, they're different names - a producer is the director. So the producer, when he was told by the company that it has to be television, can't go edit. "Can't edit? You mean to say we've go to get i[…]

Margaret Dale

[…]al Ballet. The course started on the 10th November 1954. I think there would be about 14 or 15 people, about that size. Royston Morley was the course director. Most of the people on the course were already in the BBC. There was one other girl like myself, Marie Bingham, who later married Geoff Barne[…]
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