Muriel Box

[…] not a woman, you couldn't have a woman as a director. Sidney Cole : I suppose things are a little easier […]

Hugh Stewart

[…] wasn't anything to do - I had to find another director. So I did, and I got Bob Asher. I was […]

Peter Williams

[…]oing fundraiser for them over the years – much of which Albert himself had filmed, which was a very interesting challenge for a professional producer-director. I hadn’t really worked with other people’s material, which has been shot in – dare I say it – a very good amateur way. But the film will be […]

Jenny Barraclough

[…] youknow how it is. Yes.SRThere weren’t really reporters as I rememberJBWe did that we did all the interviewing and...Shall I tell you how I became a producer?SRWell yes do.JBBecause it was a very… it happened reasonably quickly and I was so lucky; I don't thinkthere were apparently at that time man[…]

Derek Williams

[…]sp;Glyn Jones  0:00The copyright of this recording is vested in the BECTU History Project. The name of the interviewee is Derek Williams, Writer Director. The interviewer is Glyn Jones. The date is the first of May 2002. And this is side one. Have you had an extensive career in the particu[…]

Esther Harris

[…]s how it all began in actualfact. But you, you had to write this thing.Y es.And then you would have these enormous meetings with the producer and the director.Oh.And the editor and, and then you would have all Wardour Street coming in to the act. It was their main advertising in actual fact.Y es.Whe[…]

Michael Colomb

[…]nbsp;After the  49 50 I'm not too sure. But I was working on Morning Departure. Or as it's known Operation Disaster in the States. Roy Baker was director. And we, for change did quite a bit of location work off the bill. And it was really a very interesting because we were in and out of submari[…]

John Schlesinger

[…]ry and we turned ourselves in vacation into a mobile cinema, this was mine from another college, Alan Cooke who also went on to become a professional director. Norman Swallow: Was this 35mm now John Schlesinger: No 16. Then we became more ambitious and we made a film which was a sound film[…]

David Prosser

[…]h, on that? Do you remember?David Prosser: I'm trying to remember his name... Duncan Beale[?].Alan Lawson: Oh yes, yes, yes.David Prosser: ...was the director. He was the, sort of, local manager in Bush House of the external services, the film unit part of it, anyway. Nice chap! And I'd know him, I […]
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