[…]t it in? So I was used to doing the news, so I Yeah. I went down to Plymouth. Remember walking into the newsroom at lunchtime, and Peter page was the director. Had been the very first director ever I'd seen in action in Bristol on nation club all those years before. I do remember I miscued a bit of […]
[…]for some years, I've given up now the SAS museum. And the result of that one of the offshoots the National Museum of photography, film and television director. And, you know, I mean, it's it's the work they're the original theatre, they run one of the originals. Yes. And then it's it's tremendous, i[…]
[…] we joined them...Alan Sapper : They invited you...Lew Grade : So Val became the managing director, Val Parnell that is, I became the deputy managing director. And I suggested that Prince Littler, who owned the Moss Stoll group, become the chairman. And we went on from there ...Alan Sapper : And it […]
[…]o was the head of Columbia Pictures, which at that time was quite a small outfit. And he was quite a formidable character, I think of all these tough producers Harry was probably the toughest. And he said to me, "So you wanna write?" I said, "Yes." And he said, "Well what makes you think you can wri[…]
[…]e art director was absolute charmer. Fellow called Maurice Gorham? he was the art director of the Radio Times. Yes. And he became he was an art director. And he I showed him my portfolio. And he said, Oh, this is very interesting is it this is gives me an idea because he saw a lot of isometric[…]
[…]meraman on thatMonty Berman: Chris Challis. I'm trying to think who the director was, it wasn't Mickey,Mickey was here. I can't think the name of the director. Then when we moved intoPinewood to do the studio side, that was that. When did I get another job. I don't know,maybe I met Bob Baker. I knew[…]
[…] job? Carmen Dillon: By then I was an assistant art director. Sidney Cole: Yes. Carmen Dillon: Almost immediately. Because I had […]
[…]o try and change?CM: Yeah and also to learn. One of the films I love the most is Made in Britain with Tim Roth. Alan Clarke, to me, was a genius of a director. That happened almost just when we were… just before we shot A World Apart, I worked with Alan and Tim Roth on Made on Britain. To me that wa[…]
