[…]thur Catterick? photographed Brian Langley was operating the Noel Rowlands was assistant and I was the clapper boy and. Frank Catham? first assistant director. And again Paul Stein I was terrified after the miserable and so he always wore a hat he was always griping nothing was ever right. He moaned[…]
[…]between us. And I found that normally worked. And it’s quite an irony in a way, because at one time, there’s no way you could have been a producer without being a musician. And I think, as well as being the youngest producer at the time I was made a producer, I was the first one th[…]
[…] , being a sound boom operator , and being a director. And then we went on the air in September, and […]
[…]l, Frank Sainsbury, john Taylor, all sorts of people in there, the dog and duck, which I used to go into a lot of time with my great friend, the film director. Micro law. Then there was the, the the winebar, and the Mandrake, and the gargoyle, and aerials, or the colony, Rome and the French BB and t[…]
[…]done, and I know it's well over five hundred, and Ken must have done more of those than anybody else, was associated on a long term basis as lighting director. A gentleman of great, good taste and excellence and, you know, a quiet operator but he was just wonderful, he had such, such wonderful flair[…]
[…] else, was associated on a long term basis as lighting director. A gentleman of great, good taste and excellence and, you […]
[…]he floor with tape. And I mostly was on drama and so there I remember what George Moore O’Farrell was my favourite, George was a very, very sensitive director. It's strange how some of them were very, very good indeed but they never made the transition into films, George made some pictures but they […]
[…]ething.” This poor chap used to go and home, come back and you can imagine what [LAUGHTER]Although he was a great comedian, Hitchcock, he was a great director. And when he did the first ‘talkie’, Blackmail, you were talking about any post-synching going on, well there, Anny Ondra, I have a fee[…]
[…]e after GBI, yes, Roy, because I just to sort of read cap, to bring me up to date on it, we had our offices on the fifth floor. That was the managing director. Was just Davis, and there was a G Jackson script writer was Harold Goodwin, general production. Chap was Derek Dane, Eric or Derek Eric, Eri[…]
[…] producer was the producer was the producer and didn’t have to worry about makeup, wardrobe, film location, brrr, whatever, the producer was also the director. And so, in early television the producer was also the director.[Side 3, 40mins 10 secs]And in comedy which is such a personal gut feeling, I[…]
