ARMSTRONG, Moira BECTU copy

[…] in those days in fact was somebody who helped the director. There was a, a production assistant that it’s called now, […]

Moira Armstrong

[…]t and talk about what your, what PA meant in those days and your association with Jim? Well, PA in, in those days in fact was somebody who helped the director. There was a, a production assistant that it’s called now, who in fact who typed the camera script and did all the sort of paperwork attached[…]

Sandy Ross

[…]he rest of it and he was the most televisual, savvy person I think I ever worked with. He was just an unbelievable natural. I worked with him, as his Producer, first of all as his Researcher then as his Producer for two or three years. That was just a great learning experience working with him. I th[…]

Douglas Slocombe

[…]y actually, you know, I would like to, you know, I like to doing it because I know I can do it better. And, you know, one, obviously, one helps every director. Ones with, to a certain extent. When one has a, you know, one's obviously bubbling over the idea. Someone tells an idea. So if one, you know[…]

Peggy Gick

[…] talks to John Legard about her career as an Art Director. She talks in detail about the planning and design skills […]

Wolfgang Suschitzky

[…]taying on, which was a novel by Paul Scott, one of the series, the first, probably of the jewel in the crown books he did. It had Silvio naritzano As director. The producer was arranged and it was shot in Simla, in India.Speaker 2  32:35  We had a main lake, Granada crew. The electricians […]

Winston (Wyn) Ryder

[…]process has become so complex?  [20.00 mins]WR: I don't think the complexity makes much difference, it might, but it so much depends on the director. LH: One of the things I think somehow escapes, and it might even be an improvement, now that you have to have, particularly on big film[…]

Rodney Giesler

[…]er Twist set where they were filming a scene in Fagin's kitchen with the young John Howard Davies as Oliver. Of course he is now a famed producer and director. I watched the shooting of Oliver Twist until about 3 and then we went over to The Red Shoes set. I saw Micky Powell running around. And I wa[…]

Keith Ewart

[…]ton. And credit to him, although he put a lot of nails in my coffin later on, but he did. He was Noel Jay Ward Thompson man, of course, he was an art director. J war Thompson, as a youngster, he was thrown out. They didn't like him, which was wrong, because he was very slick. I mean, he wasn't one o[…]

Richard Marden

[…]ll,Richard Marden  43:01  I would be with Dick Storey I was Paul Kruger andAlan Legard  43:07  I could edit it. He was he was the director. No,Richard Marden  43:11  I'm not sure what he did that. I mean, we just used to see each other regularly.Inever quite knew what&n[…]
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