John Halas

[…] is some license for exaggeration. DS 2021. The copyright of this recording is vested in the BECTU history project.John Halas, animator and film producer, interviewer is Bob Godfrey, the interview was recorded on the 18th July 1990 Side one Bob Godfrey: you once told me you were the 7[…]

Marion Grierson (Taylor)

Interview with Marion GriersonInterviewer: Margaret Thompson MT: This is Margaret Thompson interviewing Marion Grierson; documentary film director, editor reporter, literary editor and writer.these were the professions that she followed in the early years of documentary filmmaking. She later we[…]

Cyril Crowhurst

[…]though it was the British Colonial Company Limited or whatever it was called - British & Dominion Film Corporation and Herbert Wilcox was the big Director.  And I remember Anna Neagle, when she first started there, and she was quite young etc. but she was a trooper, she was in one part wher[…]

Ted Candy

[…]sition linked to it at this stage, were you managing director, GeneralSpeaker 1  31:44  Manager, General Manager. We didn't have a managing director. I was general manager, and I was also a director of the company. They made me a director. I didn't get anything for it. It just meant I kept[…]

HP0572 Laura Mulvey – transcript

1"""HP 0572 Laura Mulvey – Transcript. NB Ums and ers have generally been omitted. Subject: Laura Mulvey[LM] Interviewer: Emma Smart […]

Production Workflow old

[…] definitions in the context of the History Project production workflow. Producer: The person(s) or organisation with ultimate rights and responsibility for […]

Ian Rutter

[…]d an audio mixer, right? But again, the BBC was so mean in the early days that they wouldn't pay for an audio mixer. And we did a programme where the producer came and said, I've got some money left over. Boys, do you need anything? It was wheelbase, actually, which was the precursor to Top Gear. An[…]

Anne Fleming

[…]became, it became possible to use film on a touch screen basis. The galleries were re-opened and restructured in 1989 and [Alan] Borg oversaw that as Director. And it was Clive who was responsible for putting film very much into the galleries and it was there you could stand alongside a V2 or V1 roc[…]
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