[…]d and he kept us really at it andthe chap called Anstey - Philip Anstey, he was one of the programme directors and he came outon various stories as a director. After the war I left them and went, as I say, to Universal Newsand then Gaumont British and eventually BBC, ITN.Q Can I pick you up on some […]
[…]t you to come in, personally if you don't want to. But there have been many ups and downs with directors Institute. If we talk even about the current director. Well, he is Well, the Derek Malcolm 25:40 problem with the BFA Is that is that when I sort of began to take notic[…]
[…] Shields: Oh yes!Peter Stroud: And you know it's word for word - but not the same! It could never be the same, you know! So anyway Soskin, that's the producer bloke, Paul Soskin, and he asked me if I'd finally run his cutting copy through and when it was finished he came round and said, "What do you[…]
[…]en't the sort of requirements in those days. One of the advantages of having to do that to the tracks is there was nothing left for the editor or the director. To start altering. That was the way it was. Nowadays the last thing you do is you your dialogue because it's magnetic it doesn't need to sen[…]
[…]is play. Val was supposed to be - sorry I keep - Val was supposed to act in it. But in the end, he got through and couldn't do it. But the producer was Lance Sieveking, who was already well known BBC man, rather eccentric, but nice chap. And then they had these well, they're in[…]
