[…]n pushed all the buttons at the right moment. And John Hogarth said "I'll have it." He was with London Screen Distributors at that time. This was the distribution arm of Tolly de Grunwald's London Screenplays. And they had a film called The Virgin and the Gypsy which Chris Miles had directed. But th[…]
[…]out the dollar gap with Bill which bill cuts. And that's about the extent of my memory.Alan Lawson 13:22 If you have any sort of overseas distribution appeal the UK to the best ofRobert Angel 13:26 my knowledge, I think it was UK it was addressed to UK audiences to try and sp[…]
[…]he American Film Theatre because Ely Landau, the second season of the American Film Theatre was more or less a fuck up really in the States. Here the distribution was a terrible mess. He hesitated for ages before giving it to anybody of note and in the end In Celebration was given to an Australian d[…]
[…]y said No, because Pilgrim's Progress was a big success with Yo and Mike so we did Yo and Mike again on The Body said No.RF: They’d got international distribution had they?VG: Yes. Through Eros Films who either went through Universal or RKO, I’m not sure. They were both originals I wrote for Yo main[…]
[…] less a fuck up really in the States. Here the distribution was a terrible mess. He hesitated for ages before […]
[…] North of Scotland and everywhere by the next morning. Newsreel distribution to the rest of the world; newsreel distribution in […]
[…]:52 Yeah, yes, and this sounds absolutely fine.Roy Fowler 12:57 And by the time your father came along he was quite a figure in the distribution business was he not? Jonathan Balcon 13:03 CM?Roy Fowler 13:04 CM.Jonathan Balcon 13:05 Yes.Roy […]
[…]uccessful appeal at the box office. Royal Review was first shown at the Classic Cinema on Baker Street, and subsequently put into our normal 3-D distribution reels. It was well received, and it stands up today as a historic film, as the first ever public event recorded in 3-D and natural color.[…]
[…] do anything. And it was a participation picture,as many of them were that went from the West to shoot in Yugoslavia, in which they hadhalf rights to distribution in the Eastern blockRoy Fowler: And you got a lot of below the line stuff in returnMaurice Carter: Everything, extras, everything was bel[…]
