[…]y for any misinterpretation of the content of this interview.However, the BEHP wants to make every effort to improve the quality of these transcripts and would welcome any voluntary offers to proofread this and/or other interviews. If you want to help, please contact BEHP Secretary, sue.malden[…]
[…]go out with his ARRI ST Camera, silent 35 mil, non sync camera. And he'd shoot masses of footage, and he'd come back and then make God knows how many documentaries. And if he ran out of footage, like I on one occasion, he was in the States, he shot all these things, and he got back and he the though[…]
[…]terview, but you’re editorialising all the way through and trying to find it, and that’s a lot of plots(?) PW: There are two ways of making documentaries: one is the pre-planned, what I call the ‘antiseptic’ documentary and that is that the script is written before you leave the studio and[…]
[…]ated ITV against regulated BBC drove standards higher. ITV running This Week, World in Action, Weekend World, First Tuesday, Survival, weekly Tuesday documentaries, Disappearing World, forced BBC to raise its game, Panorama had to be on its toes. Competition was for quality. 22.52 - […]
Dave Robson 0:00 racter The subject is Richard Marden, documentary and Feature Film Editor. He has also worked in sound department interviewed by John Legard, the date is 17 to January 1996. This is side one, and it's file number 361.Alan Legard 0:29 Dick. Now, perhaps you co[…]
[…] was was an ideal choice wonderful gritty writer. Yes, he is. Yes. Yes, he is. Absolutely. And then after that you know, I did I did some documentaries. You said with connection with Greece, you wanted to know about I wasRodney Giesler 41:55 wondering perhaps if we can […]
[…]dent’ was it?Yes.Was it?Yes.Yes. And Troy Kennedy Martin?Yes.Yes.He wrote it.Troy Kennedy Martin, yes. Coming up you see to become Z Cars. Drama documentaries. Elwyn Jones was at this time doing documentaries, in charge of them.And he began ‘Z Cars’?Not much later surely?48He came...He moved to[…]
[…]ndustry was much more s scene? the people working together to create the film rather than one single. I've noticed this myself in television where in documentaries it's useful or important for the producer to interpose himself between the audience and the subject here to present the subject.OSSIE MO[…]
[…] bad things about it. DARROL BLAKE: You got a few documentaries in down the years. Any of those you’d like […]
