[…]t even allowed to be considered. And I remember I first short brief time I went to work for that lady whose name you will remember once who did drama documentaries about Carol Doncaster. And I was coping with these horrible script things which had been through the ink processing once and you had put[…]
[…]go at this. So I did. And I went along to see the lady who ran the PAs called Cynthia Arthur. And the first thing she did was to give me a job with a documentaries features producer called HK Luenhack ( ? ) known as Lou, who's very, very well known in ACTT, circles. And again, I'm still in tou[…]
[…]of say that, you know, it's marvellous is when you marvellous when you're you that lot will characterise? and Lindsay and John Krish we're all making documentaries of great merit, but they're also doing all the commercials and the background. And you know, I said that I honestly thought that that wa[…]
[…]was both to make films but mostly to distribute. I know in a book that's been written recently about the period, the point is made that Kino just did documentaries. Well I think I would say basically we did documentaries because the people we had in the group, (1) We didn't have the finances to make[…]
Roy Fowler 0:01 The date is the 30th of may 1989. And we're at 111. Water Street. And the interview is a with a very distinguished editor, Gordon Hales. Gordon, welcome. The first question as always, is when and where you were born.Gordon Hales 0:18 Yes, I was born in the vil[…]
[…]do their first film which was Fame is the Spur as fully-fledged editorwhich was pretty good going for somebody who had only been an assistant,had cut documentaries and had never been a real assistant on a really bigpicture and had never cut anything under his own steam, to be given hisfirst feature […]
[…] at war. And yeah this lots of film inserts anyway.And documentaries BG What did you think of it at the […]
