Search Results for: Documentaries and Commercials.

[…]ng.Tape 1 Side A.The copyright of this recording is vested in The BECTU History Project. Vivienne Collins, nee Knight, film librarian, film creditor, documentaries, interviewer John Legard with Alan Lawson, recorded on the 30th of January 1997. Side One.AL: We’re away. Right running.First Vivie[…]

[…]s is what the British documentary movement did with different types of approaches. It did things which have now become common place. One of the early documentaries used the technique of the deliberate straight face to face camera, face to face with the people whose life it was examining. That was a […]

[…][00:00]I: This is an interview with Robert Scott for the Scottish Broadcasting Heritage Group's Oral History Project. The interviewer is Janet McBain and the date is 13 May 2017. OK, Robert, when and where were you born? R: I was born and brought up in Edinburgh. My Dad worked for Bank of Scotl[…]

[…]What else do you want to know? What areas and mostly sorry, mostly as a film editor? Although not entirely.Ian Noah  0:49  And was this for documentaries orSimon Rose  0:51  Yes. Again, mostly documentaries, mostly documentaries, little bit of drama, and a little bit of what's no[…]

[…]ng off on his own he's going to do what he's told to do, isn’t he? But I don't think it's a good thing that a cameraman operates on feature films. On documentaries, yes of course you do. I mean I did it myself. I mean you know I've done documentaries and operated myself. Different thing: that's a do[…]

[…] for general release or was it aimed particularly at the Polish servicemen here?LK: No it was not aimed at the Polish servicemen. They wanted to make documentaries of all sorts of subjects, like the plane crash with Sikorski and some were straight propaganda films. I've lately seen 2 of them again a[…]

[…]utting that on the screen, without pamphleteering... and, that, I think, is perhaps quite a good word, actually, because I think a lot of the earlier documentaries were bordering on being pamphleteerists, and that's where the use of the story, the presentation of your story in dramatic terms (which […]