[…]mething.And it’s especially going to be difficult to maintain when the closed shop is no longer legal. It will cause problems. Sheila, you joined the union then at the time of Blue Max?Well, this was Bells of Hell.Bells of Hell, sorry, yes. The Bells of Hell.I can’t remember it now, w[…]
[…] William Hunter at Dartington College in Devon, before going into documentary production. She worked for Paul Rotha for a brief […]
[…] longer legal. It will cause problems. Sheila, you joined the union then at the time of Blue Max? Well, this […]
[…]as taken out of his hands with national agreements affecting pretty well everybody but Roy wanted, really, a tight deal whenever he could get it. The Unions, on the other hand, I always thought it at the time, I could understand it but I always thought at the time, a little foolish because they want[…]
[…] became the success I thought it should have become but it did make, kind of, stars of all the actors. And then the last thing I did at Granada was a documentary series in the days when ITV used to do kind of adult education. There was a slot at seven o' clock on a Monday night before Coronation Str[…]
[…]you know, at that time, but I was just being an artist, I suppose.Martin Spence 7:45 And so what got you started with filmmaking? I mean, documentary filmmaking is sort of where you came in.Penny Woolcock 7:53 Not really actually, yeah. Because, I mean, it wasn't till sort of[…]
[…]self out of work as a director actually and went back to editing. I should explain that I had become an editor, not on feature films, on doing little documentary thingsand commercials. And I started off by doing through Antony Balch actually doing censor cuts for distributors in Wardour Street, you […]
