[…]ene - I think it was Rene Wilson - an editor from England years ago, was living in America, and she introduced me to a man called Jean Oser who was a documentary director. And he said, "Don't listen to the Americans, they'll tell you that you can't do anything! I will help you." Cutting it short, he[…]
[…] from my point of view. The interesting thing the way one I've developed a documentary approach in one's mind rather than news right at the beginning of the&nbs[…]
[…] become an editor, not on feature films, on doing little documentary things and commercials. And I started off by doing […]
[…] Ralph Bond?) primarily about the production and reception of his documentary film Free Thaelmann (1935). He touches on various issues, […]
[…]n’t take it on. I did three episodes, two as producer, one on The Bomb as writer and producer. It was improbable that Thames commissioned it: 26-part documentary series, costing £1 million, but Brian Tesler signed on for it, persuaded ITV Network to show it. Jeremy was an outstanding producer, willi[…]
[…]t get in there and do it. And there'll be two or three of you and say, Okay, what we're doing on Monday or what programmes are on Well, that's a good documentary or shall we get some people in to watch it I don't know when i What about the drama was a good start Yeah, well yes we if you haven't ende[…]
[…]sound. The time they were producing the wicked Lady 1946. Mason & Grainger to Ealing. I didn't even get an interview at Ealing. The various documentary outfits, which was smaller and I was told, you know, this is the place to get into a small setup that I think we call the film centre with[…]
