[…]n’t remember.
Lost.
Lost.
Something called Mongongo[ph], which sounds like Renown.
Well no, that wasn’t actually. That was a kind of semi-documentary, and I did that after Lost. Lost I did, and, at the time of Lost I was in... That was Guy Green. I was engaged to a boy who lived up in Ch[…]
[…]thout paying them, and they were left with no money. The hotel bills hadn't been paid, and they'd got to get home, you know, and they were shorts and documentary personnel, and when they came back, obviously, they came to the executive committee and told what had happened. And the executive committe[…]
[…] to employ me, and that was my first connection with film. Strand. Film was a marvelous place to start, because there were so many of the old British documentary people there. There was Arthur etton, Frank Sainsbury, Ruby Grayson, John Taylor, Donald Taylor was one of the producers. Shaw Alex Shaw, […]
[…]keep you going, or did you well?Speaker 1 32:49 Then I worked this way. My connections well. I met Paul Rosa and many the leading British documentary producers and directors. And I always liked documentary films, and I thought it'd be a great field for me to practice on, having learned f[…]
[…]n Lawson Duration: 01:32:04 & 00:31:04 (02:03:08)[00:00:00]The copyright of this recording is vested in the ACTT History Project. Kitty Marshall, documentary film producer. Interview, Gloria Sachs. Recorded on the first of February, 1988, side one.Although it’s considered to be impolite to ask a[…]
[…] films and, of course, particularly Spanish ABC has passed into documentary history. I saw it quite recently and it stands […]
[…]al we shot would not have been much use. So we did that and came back and edited the films and, of course, particularly 'Spanish ABC lmas passed into documentary history. I saw it quite recently and it stands up very well. -AL: You've had a long association with Ivor. Tell us something about him.SC […]
[…]er is Glyn Jones. The date is the first of May 2002. And this is side one. Have you had an extensive career in the particularly in the sponsored documentary field, we probably will call it. I know in fact that you must have filmed in pretty well every continent in the world, including Antarctic[…]
[…] this led to a better educated and more tolerant society. Documentary directors didn’t just hold up a mirror. Many tried […]
[…] I believe the, the local working ladies used, used to come round at lunchtimecouldn’t they?Oh no. A thing that struck me as a very, very, as a trade unionist talk about Women’s Lib. I knew what would happen when Women’s Lib started getting off because the women, well, the post girls and negati[…]
