[…] – in the Documentary Section- I can’t really talk about Drama and Light Entertainment, but… I finished off talking last […]
[…] never heard of. But I noticed these students were primarily drama students. And yet I could talk to them about […]
[…] and the programmes that Sidney didn't make. Sidney made the Drama, the Plays, Cecil made the Comedies and I got […]
[…] One of the producers and directors who shaped British television drama in its formative years, He was a key figure in […]
[…]own for the crowd, for the film, and ask you then to send suggestions over for the different roles. And you have to to bear in mind, if it's a period drama, the costumes that are available, which are all small sizes now, the hairstyles of the time, and we've got modern things to think about now, lik[…]
[…] time, we're working on light entertainment programmes, which everything from Top of the Pops through to sitcoms and children's programmes. Obviously drama was a big thing about drama. Of course he's it tends to be compacted into a short length of time. I mean, yeah, it's a three part drama, even a […]
[…] I really wanted to be a drummer in a dance band but I wasn't a very good drummer although I was, I did play a lot and then I got involved in amateur drama by my father. My father said to me Norrie Sinclair will do it, will you do it? And I didn't want to do it but I did it and I found that I quite […]
[…]issues in a way that we could maybe do better. We could maybe help more than putting out what was a very dwindling audience for a very under-budgeted drama series. I: Which, you know, it showed that you were thinking about your place within the wider Scottish, cultural landscape and not literal[…]
[…]26:20 were you in the business? TheyUnknown Speaker 26:25 were still. As you startedUnknown Speaker 26:29 doing amateur dramatics and comments,Unknown Speaker 26:32 to say, Yes, I was thrilled to bits we went to see. Absolutely, I wasUnknown Speaker 26[…]