Ernest Maxin

[…] he finished, there was a man called Ronnie Waldman. And they came out to try and get Vivian Leigh to come back and do some plays on the BBC, for the drama department. But she wasn't interested. So two reasons A she was getting very much towards the end of her career then, plus the fact this was jus[…]

Mike Hodges

[…]se days. I had already at this stage, I then went to, to live with my parents in Salsbury. And I had wanted to go to try to get into Royal Academy of Dramatic Art to do the stage management course. But my parents, you know, they just couldn't conceive of me doing anything like that. I mean, I was ob[…]

Bill Ward

[…]must have been around about 1938 39 early 39 summer in that area. But George was doing a play on Clive of India, which I suppose was one of the early drama dramatized documentaries. However, it's Clive's life, but it was in drama form, and in them I was vision mixing. Mark Savage was senior engineer[…]

Dennis Kimbley

[…]e Gun Club before. Things like amadori traumatic, yes, yes. football teams. Yes, IDennis Kimbley  16:27  became the chairman of the amateur dramatics level one time, but there's a gambler. An outdoor range and an indoor range thereRoy Fowler  16:34  was generally the policy alway[…]

Diana Morgan

[…] was headmaster then you see of a school in Barry, and he had an Eistedfodd, which you know what that is? And a woman called Elsie Fogerty, who ran a dramatic school in London [Central School of Speech and Drama] came down to judge, and I won a lot of prizes, so she said she’d like me in her school.[…]

Dudley Lovell

[…]horrific. And of course, my wife was called. She had to come from stratum and she was told that I wouldn't last the night out. And that was pretty so dramatic. I was sick, and she had to sit in a ward where other people were dying to. So I there again, I mean it was wicked because I had a good time […]

Diana Morgan Transcript

[…] a dramatic school in London [Central School of Speech and Drama] came down to judge, and I won a lot […]
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