Sarah Erulkar (de Normanville)

[…]actual course, but it was the only course they would accept me on as a seventeen year old. And I joined, I became president of Mummers, the Cambridge Dramatic Society, but I still don’t know why films and I still don’t know why documentary.Did you see documentaries at that time?No, not many. But, yo[…]

Peter de Normanville

[…]kin cat No, rich rich. said you'd like to do a series for BBC? I said probably not Rich. What's it all about? He said, Well, the point is that it's a drama series, but on the science base and entirely on realistic science, you know, environments. And he said that we got a very good drama director. I[…]

Tony Bridgewater

[…] the first day.  Norman Swallow  43:01  Gracie Fields is a name that might be worth mentioning. And then there was this drama, Pirendello. Tony Bridgewater  43:06  The Pirandello drama was a year later. Yes. And that was rather significant becau[…]

Richard (Tony) Arnell

[…]music on film is I believe film is music is two dimensional. We no longer have music in the theatre, we used to have people playing in the pit in melodrama. I don't think music is necessary in most films. I think it is necessary in melodrama because for one thing it's realistic in real life, most pe[…]
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