Peter Graham Scott

[…]d taken one frame out, by cutting it. Anyway, it was a marvellous experience, and I’d never laid tracks for that sort-of film before. You didn’t have dubbing editors in those days. You just did it all yourself, and you laid the music yourself. And er, then we got to the dubbing theatre, and er…Harol[…]

Mike Fentiman

[…] that he had been an actor, which he had been, of course in Zed cars. But he had been working with Ken Loach and so on. And, and he was in as a story editor. And there was there was a very good play, written by John Hopkins, which was about a very rich time, good play. And it was about South Africa […]

Robert M (Bob) Angell

[…]r foreign rights or anything like that it was set up as a kind of CO production whereby the BBC paid for film stock and processing. They supplied the dubbing facilities, we did the all the shooting, or set up the production, the editing, and not sure who supplied the final lab costs. But it was a tr[…]

Yvonne Littlewood

[…] it on tape but you couldn't edit the tape sound and vision, you edited the vision and then you had to go and edit the sound in a sound studio like a dubbing theatre and then you'd put the whole thing together. They've just got some quite new studios and I remember we did it in this rather nice stud[…]

Vernon Sewell

[…] experience as a camera operator, sound recordist, art director and editor. He also became adept in the use of special […]
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