Search Results for: Dubbing Editor

[…]port everything into that new building where we built two theatres. One was the dubbing theatre using the equipment projection equipment. We'd had previously and we built[…]

[…]fterwards going through the cutting rooms the laboratory work titles recording commentary dubbing negative cutting funds and print all the procedures that were really as I&nbs[…]

[…]is to - we'll have to go ahead and make a film of some kind." So we made a film called Africa Freed and...very, very quickly, I mean we were actually dubbing in the theatre in June, after I'd come back at the end of April, so it was a very, very rush job. And as Roy and I were sitting there watching[…]

[…] found myself in a situation first of all that the studio was very run down and to his credit Kenneth Shipman said you cannot have a studio without a dubbing theatre. And we built the first dubbing theatre, to his credit he built a dubbing theatre, my father used to say you cannot have a studio with[…]

[…]every at every stage, and shoot it and edit it and cut it. Cut it, whatever. Let's see the cuttingUnknown Speaker  27:36  copy shoot to the dubbing,Roy Fowler  27:40  no personalities that you can remember other than I mean, in other words, I'm curious about the people who were w[…]

[…] Peter Baylis, who unfortunately died, he was a really good editor. And he was in the RAF Film Unit throughout […]

[…] done has been OK, ask Roy Drew, he was the editor, he’s quite happy with it, why am I being […]

[…]n in the lift from the top of the tower at Alexandra Palace forthe morning news meeting when I was confronted by an enormous New Zealander who was theeditor of News called Taho Hole. He was a big man and he was a nice man actually. He said'you are out John?' and I said ‘what do you mean out?'. He sa[…]

[…]t I met Dicky Attenborough there at the time. But no, I was working mostly in editing with Peter Baylis, who unfortunately died, he was a really good editor. And he was in the RAF Film Unit throughout the war, and again I learnt quite a bit about editing from him cutting.Rodney Giesler: And he went […]

[…]Crowd, Freddy again. 1967. What about that, Julie Christie again, and Alan Bates again. John Schlesinger: Julie Christie, we were sitting in the dubbing theatre, yes, yes, we were sitting in the mixing theatre of Darling all saying what should we do next for Julie, because Julie I think was und[…]