A F (Peter) Birch

[…]ocation shooting is full of pitfalls. Often you couldn't get the real stuff, you had to take what they call a guide track which was reproduced in the dubbing theatre, with the artist concerned, of course, there and wearing headphones. They'd hear the original poor recording, but it was enough for th[…]

Bill Mason

[…]o much, they used it in many ways but they had a lot more diplomas than we had at Shell in those days.AL: Did you know Jennings.BM: We always did our dubbing later on with Ken Cameron, he had just left Jennings.AL: What about the point about Film Centre.BM: That was very much of it. The person we ha[…]

Bernard Ponsonby

[…]reeted by John Brown and Colin MacKay, did a tour of the building which seemed absolutely vast! From Studio A, Studio C to the Editing floors, to the Dubbing, the News Edits suites and I was shown to my desk and given a little directory of everybody in the building. I think it was on a pink card whi[…]

Esther Harris

[…]uld? I wondered about that.Oh yes, because a lot of people wouldn’t like the voi..., the American voices for, forthis country and you had to start re-dubbing. And we had tremendous censorship problems of course, because every trailer had to be universal.Ah, yes.Had to have a U Certificate, no matter[…]

Aida Young (nee Cohen)

[…]ell I can tell you you do because when I... because on Covington Cross, because it was for television, I decided to go digitally at the very end, the dubbing and everything else.  It was a doddle, quick but very expensive, very expensive but quick.    Side Three  A[…]

Ronnie Noble

[…]nbsp;I had no idea what was going on elsewhere I didn't. Never went to the dubbing or the putting on the commentaries. It really it was quite an isolated j[…]
Scroll to Top