[…]ggy Gick: Yes, I mean that was in the days when the credits would have been the producer, the director, the art director, the cameraman, possibly the editor and that was it. And I think these [rolls/rows and rows] that go on now, I'm totally bored with them, I can't think why we have to have them! [[…]
[…]irst day of the sort of assembly, and that was the day after finish shooting was five days from the start of the production. And on the Monday and my editor then Peter Musgrave said, No, we can't work on your film we've been blacked, and then I rang the laboratories and they said, Well, […]
[…]wasn't really a film director RJ: No but he was clever enough to learn his job from people who did know it and any director depends a lot on his editor, I don't know who his editor was RG: Jack Harris RJ: Was it, oh well that would explain. David Lean must have been enchanted to work […]
[…]ere was a similar mark by a picture called "Undercover" which Duncan Sutherland did. I know you had nothing to do with that because I was supervising Editor on it.EC: Well I have always liked Duncan. I have always had a soft spot for Duncan.SC: And the last thing was a mark against Alan Withy on a f[…]
[…]p;of the various stock. It was done on a single one.Original negative taken and put through. If the editor decided he wanted a fade in, that piece of original negative was put in this little mach[…]
[…]ith Ted Black of course, Ted Black was there. Isidore was the, sort of, financial genius as far as I remember. And Harry was supposed to be his story editor and he was a bit of a buffoon! Roy Fowler: Yes, it was a sinecure for him? Andy Worker: Yeah. Roy Fowler: For the other two? Is[…]
