Richard (Dickie) Best

[…]e which I've read and that is one of the big differences.From my own point of view, the cutting room has changed immensely.In fact, you didn't have a dubbing editor before the war. Dubbing was sosimple with the optical track that the editor and the assistant betweenthem would prepare the tracks afte[…]

sidney-cole-transcript-1987

[…] a background of noise. In those days there wasn't any dubbing. All sound was recorded direct. So the sea had […]

Noreen Ackland

[…]how often you must have been resting in between pictures.Noreen Ackland  4:21  Well, he did rest a bit that I filled in with helping out on dubbing and different films. And I went with I went with Charles hasay. Um, black hole kit, which was made at Wharton on 10. Before that, I went was r[…]

Albert Critoph

[…] been in a studio before this was Merton Park Studios. And now again, I used to go down on my day off and I look around. I didn't know anything about dubbing and double head and all this type of thing, but they're again  I just go down see him, and I used to look around. And the same thing appl[…]

Sidney Cole

[…]a reader. This film took place on an island and consectently in almost all the scenes there was a background of noise. In those days there wasn't any dubbing. All sound was recorded direct. So the sea had to be recorded at the same time as the dialogue. I had a kind of drumhead and pounds and pounds[…]

Cynthia Moody

[…]ne of those people who if you name anywhere he said he was born there, including little islands in the Pacific. But, he had been working in France on dubbing with a partner called Richard Heinz [ph] and he had come over to... he had aFrench wife and he came over to England and he started up in.[…]

Rodney Giesler

[…]hem. But one soon adapted using a magnetic track reader. But it took a bit of time.Rodney Giesler: All sound was optical in those days. And of course dubbing without rock-&-roll was murder.John Legard: I don't know how we ever managed in those days. And of course we joined the film with cement. […]

Reginald (Reggie) Beck

[…]time because of optical, it had to be finished, it had to go and be neg cut and that was almost it, now today they don't, they recut in the middle of dubbing. I suppose you didn't but I've known it so often.Reggie Beck: Nightmare. Whenever it was possible I discouraged this. I know an American […]
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