[…]ously in my final year I started applying for jobs and I applied for the Trainee Assistant Producer scheme in London BBC and also a Trainee Assistant Editor. I did an interview in Manchester for BBC Manchester as an Assistant Editor. And I think I went to Yorkshire TV or Granada or is it, not sure w[…]
[…] the producer, a very aggressive man called Frank Hoare. He said, "I'm in the theatre, waiting, where is it?" "Where's what?" I said. He said, "We're dubbing." I said, "We're not dubbing, we're not dubbing for two weeks, I told Julian this." "Don't rat on your colleagues," he said. So it was obvious[…]
[…]t of my forte in later years, because when I went to prime but I always used to cut optical sound diagonally, which usually used to infuriate all the dubbing edges as ever work was because I never seem to be able to catch on. But but it's in the Air Force from from denim. I didn't fire a shot in ang[…]
[…]t was the way he was. But he was providing a footstep artist. So the first day, and these footsteps were all done on loops, similar to the commercial dubbing. And so the first day we it been a hard day, and I'd been delivering milk bottles most of the day from from a milk float and John Luton&n[…]
[…]nyway, with John Pointer on a film that Charles Crichton was directing called he who rides a tiger. And we will I went to work with John Pointer, the dubbing editor, Sound Editor, on that film, which was being made at Twickenham studios. And so that was my first sort of out into into the you explain[…]
[…]ple like Paul had started in the early days and his brother worked for British Movietone, Pat Wyand, he was a sound engineer but he was inside on the dubbing suite. So Pat Sunderland was doing the mixing in those days and Pat Wyand he was on the optical recorder. Leslie Wyand who was a famous old ca[…]
[…] was a sound engineer but he was inside on the dubbing suite. So Pat Sunderland was doing the mixing in […]
[…] My first job was as a projectionist in a 16mm dubbing theatre. Almost all documentaries were shot on 16mm in […]
[…]sp;AL To make it NS To contribute to it. And the pattern was, other things, other people, Bob Saunders made … JG That’s right NS … the dubbing mixer, and the plan was that, if it was transmitted, I got the £300 pounds back for another one. JG Oh, that’s great, so in fact … N[…]
