[…]artment in Glasgow and the same weekend I came down I think for an interview down there, there was an interview for Scottish Television for Assistant Dubbing Mixer and I did both interviews and I got both positions and I just felt like, I don't know why I wanted to move away from the Beeb as opposed[…]
[…]we get later on with the...
Mickey Hickey: All driven from the same unit, the same motor.
Bob Allen: Yes. It wasn't like we got later on within dubbing theatres with the separate dummy heads for the sound?
Mickey Hickey: Oh no...no, no, no...
Bob Allen: Just projectors. So you had two pr[…]
[…] closed down Birch moved to Gaumont British News as a dubbing mixer. He served in the RNVR during the war. During […]
[…] there with me," he said, "and we'll go though everything, dubbing, film cutting. [Down at the/Dulwich] studio, they do everything […]
[…]eath." He was in charge of the technical aspect of everything there. "I'd like you to start there with me," he said, "and we'll go though everything, dubbing, film cutting. [Down at the/Dulwich] studio, they do everything there, they do everything there. Make films and everything." So I said, "Yes, […]
Alan Lawson 0:05 The copyright of this recording is vested in the BECTU history project. Michael Colomb, BBC TV sound engineer, dubbing mixer and director of better sound of Endell Street interview. Alan Lawson, recorded on the 12th of June 1995. side one you know, first and foremost, wh[…]
[…]ocation shooting is full of pitfalls. Often you couldn't get the real stuff, you had to take what they call a guide track which was reproduced in the dubbing theatre, with the artist concerned, of course, there and wearing headphones. They'd hear the original poor recording, but it was enough for th[…]
[…] get it ready...[laughing]] but that was his way of thinking, "You get an echo on a soundtrack. Yeah, here's an echo."And another thing, when we were dubbing one day, we used to shoot the picture at Islington, whoever shot the picture, whichever mixer it was, and there was two, there was two crews, […]
[…] Yeah, here's an echo." And another thing, when we were dubbing one day, we used to shoot the picture at […]
[…]t it was so small that ACTT didn't bother, wasn't interested in whether the staff were members or not. And they made commercial films, and they had a dubbing theatre, and editing facilities for industrial companies that wanted to make films of for promotional purposes, but really didn't know much ab[…]
