[…] moved around a bit after that, a little bit of dubbing that drove everybody mad... Jim Shields: Yes, yes... Peter […]
[…] John Aldred worked as a sound engineer, sound recordist and dubbing mixer in the film industry from 1937-1986. Worked in order […]
[…]suring that we had enough copies of that sound effect, getting a transfer made, extending the transfer, so that you were doubling up on it, doing the dubbing sheets, which was when 1000 foot of film for example, going through a synchronizer for every foot had to be a bit of sound, or whether it was […]
[…]io in Wall Street W theatre and also the news that was all tied up with the news and documentaries. I mean we used to very often work I worked in the dubbing theatre most of the time on the sound cameras and then it was changing over to magnetic. So you had optical and magnetic used to shoot onto a […]
[…]rbearing," you know. He said, "Oh, it's taken you a long time to find that out!" [Both laugh] Anyway I moved around a bit after that, a little bit of dubbing that drove everybody mad...Jim Shields: Yes, yes...Peter Stroud: ...and finally finished up in Theatre Three with Eddie Carpenter.Jim Shields:[…]
[…]y Cole: Fabulous Percy Dayton.Alan Lawson: Yes.Sidney Cole: Where is he?Alan Lawson: I think he's there. And Mack, who became the dubbing mixer, he was there on that one, I think...probably.Sidney Cole: Mack?Alan Lawson: He was the dubbing mixer down at Pinewood, finall[…]
[…]ple like Paul had started in the early days and his brother worked for British Movietone, Pat Wyand, he was a sound engineer but he was inside on the dubbing suite. So Pat Sunderland was doing the mixing in those days and Pat Wyand he was on the optical recorder. Leslie Wyand who was a famous old ca[…]
[…] Lawson: I think he's there. And Mack, who became the dubbing mixer, he was there on that one, I think...probably. Sidney […]
[…] was a sound engineer but he was inside on the dubbing suite. So Pat Sunderland was doing the mixing in […]