Peter Stroud

[…] moved around a bit after that, a little bit of dubbing that drove everybody mad... Jim Shields: Yes, yes... Peter […]

Chris Kelly

[…]suring that we had enough copies of that sound effect, getting a transfer made, extending the transfer, so that you were doubling up on it, doing the dubbing sheets, which was when 1000 foot of film for example, going through a synchronizer for every foot had to be a bit of sound, or whether it was […]

Brian Marshall

[…]io in Wall Street W theatre and also the news that was all tied up with the news and documentaries. I mean we used to very often work I worked in the dubbing theatre most of the time on the sound cameras and then it was changing over to magnetic. So you had optical and magnetic used to shoot onto a […]

Peter Stroud

[…]rbearing," you know. He said, "Oh, it's taken you a long time to find that out!" [Both laugh] Anyway I moved around a bit after that, a little bit of dubbing that drove everybody mad...Jim Shields: Yes, yes...Peter Stroud: ...and finally finished up in Theatre Three with Eddie Carpenter.Jim Shields:[…]

Tilly Day

[…]y Cole: Fabulous Percy Dayton.Alan Lawson: Yes.Sidney Cole: Where is he?Alan Lawson: I think he's there. And Mack, who became the dubbing mixer, he was there on that one, I think...probably.Sidney Cole: Mack?Alan Lawson: He was the dubbing mixer down at Pinewood, finall[…]

Reg Sutton

[…]ple like Paul had started in the early days and his brother worked for British Movietone, Pat Wyand, he was a sound engineer but he was inside on the dubbing suite. So Pat Sunderland was doing the mixing in those days and Pat Wyand he was on the optical recorder. Leslie Wyand who was a famous old ca[…]

Tilly Day

[…] Lawson: I think he's there. And Mack, who became the dubbing mixer, he was there on that one, I think...probably. Sidney […]

Reg Sutton

[…] was a sound engineer but he was inside on the dubbing suite. So Pat Sunderland was doing the mixing in […]
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