[…]ut Ted black and Morris Austria wouldn't let me go because he never as I said before said there were no people around then and to have a train to day dubbing mixer. We were a rare beast you could find plenty of assistant directors running around the floor getting the team. So so he said to me Well w[…]
[…]sp;AL To make it NS To contribute to it. And the pattern was, other things, other people, Bob Saunders made … JG That’s right NS … the dubbing mixer, and the plan was that, if it was transmitted, I got the £300 pounds back for another one. JG Oh, that’s great, so in fact … N[…]
[…] what was called LG22, which was a sort of a dubbing theatre in the basement to find Alexis with, found […]
[…] The Spy Who Loved Me and Moonraker. Gordon McCallum was Dubbing Mixer on The Spy Who Loved Me, and Re-recording Mixer […]
[…] a bit of a benchmark for me to be able to, first of all, to get out and be part of that little project which then I was lucky enough to take through dubbing and stuff like that. It gave me some fantastic experience! I2: In what year was that? R: That must have been about '80, I would put […]
[…] they didn't think we could, we were up to doing that sort of thing! But everybody is up to doing that sort of thing in all the departments. In sound dubbing, editing, whatever department, cameras, everybody was a professional and knew what they were doing. I: So, in a way, STV is helping give […]
[…]a studio then Teddy Teddy was on the picture. So the assembly Catherine web assembly Catherine Yes. AndTeddy Darvis 41:19 the credit as a dubbing editor. Did you didn't get Oh, you didn't? They would say it wasn't an important enough film. For a sound that is it to get the credit. Oh,Nor[…]
[…]2 24:21 as I say, I was a bit down on my luck on the Italian Job. And I was in the theatre with Peter Collison, the director, and we were dubbing the film, Twickenham with Jerry Humphries. And the phone rang, they said, Oh, John, there's a call come through from Pinewood Studios. So I ta[…]
[…]nobody done the pre test for dawn Arabic’, and I went, leapt downstairs all four flights and went down to what was called LG22, which was a sort of a dubbing theatre in the basement to find Alexis with, found the, the dawn Arabic and it was, we went on air two minutes late. And of course, in those d[…]
