[…]bsp;And so I cut this short.Unknown Speaker 4:38 A friend said, why don't you go and into the BBC, and try and get into directing through editing? Well, I hadn't thought of that. And I had no idea how I got into the BBC. But it turned out that there was an advertisement for trainee assis[…]
[…] it? R: Well the big change that took place in my time was the movement away from film on to tape, particularly for News and that revolutionised editing of course. We still made documentaries on film, I remember, even, for quite a long time after Betamax came in but, of course, the movement to […]
[…]u need a linear speed over the sound-head so it had to be twenty-three frames later that the sound would go on it. So, it meant that if you went into Editing and you just cut the picture, suddenly you've got a flipping gap of twenty-three, almost a second, you know, before the sound caught up! So, w[…]
[…]hree years of Palmetto at one.Unknown Speaker 17:30 I did that kind of routine for about two years. But then I was also quarter inch tape editing, I was learning to make small documentaries in edit suites and so forth. And after three years of being a trainee on stage of being mentored b[…]
[…]at I love to do is in this', so there was the visual side, there was connecting with people, there's a period which is much more solitary either with editing you know, I like, I don't like routine at all, actually. And so something about the kind of the, the roller coaster changes that you have to k[…]
British Entertainment History Project INTERVIEW NO.712 INTERVIEWEE – NEVILLE WORTMANINTERVIEWER – DARROL BLAKE Transcriber – Linda Hall-Shaw NEVILLE WORTMAN: I am Neville Wortman. I was born on the 28th March 1932 in London.DARROL BLAKE: And what sort of family […]
[…] that control given by cash budget was creatively superior to that given by resources-plus budget where you get a studio, and you get days of filming/editing, the old BBC/ITV way. “This had to be the right way to do things”. 1.18.59 - […]
[…] a B stage and there was a live action stage, well, that's what they called it and then special effects and then there was the Art Department and the Editing room and then round the front, where Gerry and Sylvia were and you know...0:14:38.5 MIKE: What was Gerry's role in all this then? 0:14:41[…]
[…]dness knows what. But no, we were on. On video. We then we had nothing we had just there was John, myself. And Karen, a secretary. And Mike crane was editing with us still. He was back with us. He's all gone in circles. And I mean, I got to whatever age it was, I mean, I don't know how long Well, I […]
