Gordon Hales

[…] And more seriously, but I still saw virtually everything which was a refuge, refuge from home.Interviewer  11:39  It sounds as if early on editing became a preoccupation. Is that right?Gordon Hales  11:45  No. As the gap of filming, and it was you were Junior, you were everybody[…]

Ian Rutter

[…]wn scanner. And that started. And then from there, I upgraded that, because I the machine in it couldn't edit. But I was doing an awful lot of acting editing. I acted as a VT editor for three years, and I said to Roy Vitti, my boss, you know, doing all this acting, I really should get an upgrade, yo[…]

Mike Bradsell

[…]the a fairly cheap 9.5 millimetre camera made by the British brands of branch of pathway brothers. School, the path is scope. And I had no idea about editing or anything, I just liked the idea of shooting things and looking at them on the screen. The cassettes that you used with this camera, only, t[…]

Interview

[…]the a fairly cheap 9.5 millimetre camera made by the British brands of branch of pathway brothers. School, the path is scope. And I had no idea about editing or anything, I just liked the idea of shooting things and looking at them on the screen. The cassettes that you used with this camera, only, t[…]

Richard Marden

[…] 30 years, I should think. But if you see him do give him my best wishes. I mean, it's the last I can't remember when I last  when people was he editing  then lastAlan Legard  21:11  thing that he and I did together with somebody called Colin Moffett, who was a mutual friend of o[…]

Howard Lanning

[…]irector, producer. With good credits like Out of Africa, Gorillas in the Mist, you know, films that we know about. I came next. Also a film and found editing and editing Boris Karloff's  last film. I was also the sound editor on Alec Guinness's last  film. Now I'm not a bad omen. I just ha[…]

Michael Clarke

[…]tting rooms on the world is rich and that presumably where you saved? The power cuts? That must have been the winter of 1946 4747 years old? You were editing? And you say, yes,Michael Clarke  41:15  there was the most It was a stock shot film, almost entirely. Yes. I was actually employed […]

David Robson

[…] lock up. And that was the way of it. And editing was always done by a chap called Jack - […]

David Robson

[…]g. And we had a cueing system for that, they would run first and say, "Speed," and then we'd run up and we'd lock up. And that was the way of it. And editing was always done by a chap called Jack - oh dear, I forget his name now - but we carried on a long time after VTR came along. They carried on, […]
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