[…]onwards, he used threats, I used alcohol to get everybody together at least once a month but there was always a reason why people were off filming or editing or doing something or another so you didn't actually see the people you were working with nearly as often as you wanted to. Whereas down at Te[…]
[…]nique for television production. And then we've processed and we've provided all the editing arrangements. Did you know that there was a program on about two or thre[…]
[…]out it, but Ian then took it over and edited the picture and obviously took the credit for it, as he should do. But he did give me the opportunity of editing The Man Who Knew Too Much for Hitchcock. And I suppose it's fair to say that - and everybody must know this - that you learn more about your j[…]
[…]ly on the film.Roy Fowler: So it made it much quicker to work I suppose?Norman Fisher: Very much so.Roy Fowler: Did it make more complications in the editing stage, it required very simple basic editing I guess did it not?Norman Fisher: Yes the soundtrack was in the camera was about 12 frames behind[…]
[…]s, well, I mean, when you're dealing with non, non human subjects, in a way, you have to string together what you can get in many ways. And it was an editing job as much as anything, a scripting and editing job as much as anything else. Gloria Sachs 5:46 Did you have any experience […]
[…], not temporary, but I didn't know. I worked on my brother in law, and it was impossible, not in the business at all, but at that time, I was already editing the ACT journal, so I kept, yeah, the editorship, the of the general came about very simply after the war was over, but whilst before I'd been[…]
[…]emporary staff. Therefore there was no problem, and we had to cut back to almost the permanent staff, which meant several directors and cameramen and editing stuff, and then we never got back to that same size again. But we did manage to build up a bit but,Speaker 1 1:34 but we were stil[…]
