John Daly

BEHP transcript DisclaimerThis transcript has been produced automatically using Otter.It provides a basic, but unverified or proofread transcript of the interview. Therefore, the British Entertainment History Project (BEHP) accepts no liability for any misinterpretation of the content of this interv[…]

Peter Williams

[…]cause having a father who was peripatetic, moving around as features editor and editor – which is why I was born in Great Yarmouth of course – he was editing the local newspaper there. And my mother whose name was Gladys, one of the things that she remembered all her life was that when I was born, t[…]

Alan Masson

[…]was much better than video at that time. And then the other thing was to develop equipment for the digital intermediate process where special effects editing could be done digitally where the scenes would be shot conventionally on colour negative film, on Eastmancolor negative, and then scanned in a[…]

Roy Lockett

[…]ended up negotiating. So I did a, so I became a key negotiator in kind of film and other areas of that kind as well, yes. As well as that I was still editing the journal and so on, you know what I mean, and doing all of that.So important policy issues, a lot of negotiation, mm, getting that back on […]

Roger Smither

BEHP Interview No 0726t Roger Smither (RS). Transcript. Interviewer: Murray Weston (MW). MW: This interview is No 726 for the British Entertainment History Project. The subject, the interviewee, is Roger Smither, and I’m Murray Weston, interviewing.Now Roger, we start as with most of these[…]

Jenny Barraclough

[…]are, but we would fly up in the little Beechcraft aeroplane everyFriday night or on the Friday nights we had a film going out. In order for the final editing anddubbing, it was all done up there in Manchester. I think it was paying lip service to theManchester base. But it would have been hard to do[…]
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