[…] was there someone you could go and say, ‘Look, I want to do, ah. Doyou know somebody I could ask?’ or, how did it work?Yes. There was a head of editing, Roger Crittenden, who was very helpful, he was the second up the school as well. Colin. And, head of camera, Louis Wolfus[ph], and, who actua[…]
[…]is very particular conjuncture of being in a film school and having willing helpers around, and one of them Larry Seider who did sound for us and did editing for us,12.38 and worked then on all our films really right through until, yeah eighties, and so that relationship began at North Western. So t[…]
Name of interviewee Susan Crockford DRAFT Tape 1 Side AThis transcription was provided in 2015 by the AHRC-funded ‘History of Women in British Film and Television project, 1933-1989’, led by Dr Melanie Bell (Principal Investigator, Leeds University) and Dr Vicky Ball (Co- Investigator, De Montfort U[…]
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[…]ing, and me doing loading, clappers and sweeping the floor and getting the tea...Alan Lawson: And Hazel Wilkinson...Cyril Page: That's right. She was editing then. Old Hazel. Yes. She was third officer. [Laughs] Yes. Old Hazel. Yes, yes...Alan Lawson: What kind of...errm...What films were you making[…]
[…]n’t say anything but he told my agent that he didn’t want me. I: He did a great deal on Shooting Stars, you know, he was a stuntman, he worked on the editing, he worked on the script, he worked on the camera, it’s said. I don’t know. Do you remember that?CB: No I don’t think he worked on the camera,[…]
